The Stool Pigeon issue 15, March 2008

Read more issues of The Stool Pigeon »

  1. Home News
  2. International News
  3. Songbirds
  4. Features
  5. Travel
  6. Print
  7. Moving Images
  8. Arts
  9. The Stool Pigeon Interview
  10. Comment & Analysis
  11. Letters
  12. Court Circular
  13. Certificates
  14. Funnies
  15. Comics
  16. The Stool Pigeon Review
  17. Business News
  18. Sports
  19. The Billy Childish Poem
  20. Crossword
Shaky and Jay-z ad
Brains ad

Home News

Primary 1’s number up, no one can hold him down

Words Seb Burford

Primary 1London’s Joe Flory, aka 21-year-old Primary 1, is an enigma. Take his debut single, ‘Hold Me Down’. It’s insanely catchy, but insanely hard to fix in a scene or other movement happening out there. It sounds like it’s been beamed in from a pop Never Neverland.

“I was born in Ipswich, my mum is from Norway but, from the age of seven till 17, I lived in Singapore because my dad was a teacher there,” explains Joe. “The music scene was non-existent - I didn’t go to clubs until I was 19. The radio was super-pop and, although I was really close to Malaysia and Thailand - you could take a bus there - I always wanted to come back here.”

Back in the UK studying film, Joe’s productions began taking shape in the form of dozens of homemade squelchy, Princely, and funky-like-a-Bad-Boy record-with-Ma$e-on-it demos. ‘Hold Me Down’ was enough for Atlantic to snap him up for an album, and pair him with super-producer Paul Epworth.

“We work on the stems I recorded at home and re-do the vocals,” Joe says. “I want the album to have a polished sound. The music I made at home is really dense with samples, so we’re going to streamline it a bit. I like the sound of samples - they sound like they have a history - but on the demos I also play guitar, piano, trumpet… It’s about the sounds they make, not the musicianship. I play them like I play the sampler. Same with the vocals. The first rule is that everything sounds good.”

Joe cites Norwegian graphic designer and electronic soundscape maestro Kim Hiorthøy as a hero and is soon heading out on tour with Metronomy. Meanwhile, he’s making his mark with, firstly, an Operator Please remix and, secondly, a Yuksek edit of ‘Hold Me Down’ that’s being hammered on the blogs and dancefloors, not least by Erol Alkan.

“It’s really strange,” says Joe. “Yuksek used to be a massive trance DJ, but he’s proved himself to be producer who can do any style he chooses. I like versions of dance music - like records by The Streets or Radiohead - where they’ll take lots of different influences and make them their own.”

Dan Le Sac ad
Debate this on our forum Debate this! Printer friendly version Printer friendly version