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Unless paired with an appropriately modern modifier, such as ‘punk’ or ‘indie’, disco has become a dirty word in pop music - shallow, hollow, even narcissistic.
In the words of singer Mick Collins, The Dirtbombs’ new album, We Have You Surrounded, is a concept album about “the United States’ slide into a police state”.
Like the Swedish pop star’s blistering lo-fi pop music, there’s something unnervingly cool about 21-year-old Lykke Li.
Retiring to a log cabin in the middle of the woods of Wisconsin for months on end with no one to keep you company besides a shotgun and a few bits of musical equipment seems like a recipe ripe for a zombie horror-fest.
Italians Do It Better are rolling out of 2007.
Knitting Tropicália, space-age pop and calypso together, El Guincho’s Alegranza is one glorious patchwork piece.
The first incarnation of Howlin’ Rain did not disintegrate, implode or dissolve - the band merely evolved.
There’s a beguiling narrative thread, linear or not, that runs through, Lucas, the sophomore effort from gonzo-psych New York City avant-rockers, Skeletons and The King of All Cities.
It came from the suburbs and ate the dude from Clear Channel.
Lost in a sea of New Era hats, Chuck Inglish and Mikey Rocks stood tall at Shoreditch’s Cordy House in February.
Ever get the feeling that somewhere along the line we took our eyes off pop music and lost it down a rabbit hole?
It’s not often a press biography deserves mentioning, but Zombie Zombie’s is great.
“I knew that there was much more to come out of the drum kit than the usual sounds you hear bands churning out everyday,” says Andreas Werliin, explaining the dynamic rhythmic palette that colours Wildbirds & Peacedrums heavily expressive, percussion-driven music.
Devo’s Gerald Casale on Faith.