Read more issues of The Stool Pigeon »
Phosphorescent doesn’t like shedding much light on his songs in conversation. He’d rather they glow alone.
“It’s not what I do that scares me,” says The Black Angels’ lead singer, Alex Maas, “but the menacing sound of the band.
“Yo man, let’s take it back to that old skool story telling shit, get me!?” So bellowed Dizzee Rascal on ‘Sirens’ and one hip hop group, thousands of miles away, heard him.
White Denim, a red-hot garage band from Austin, Texas are causing something of a minor kerfuffle.
Gustav is the gender ambiguous moniker of Eva Jantschitsch, a Vienna-based, self-styled media artist and laptop songwriter.
Ladyhawke is a one-woman, do-it-yourself, classic pop machine.
MIT are a band in transition.
As core members of The Blood Brothers, Johnny Whitney and Cody Votolato are responsible for delivering two of the 21st Century’s best frenetic rock releases: Burn, Piano Island, Burn and Crimes.
One of the many, lovely consequences of the success of Flight of the Conchords was a flood of interest in the ostensibly innocuous New Zealand indie film Eagle vs Shark, starring Jemaine Clement.
If you’ve heard any of Jay Reatard’s music, you can probably guess what the 28-year-old’s like in person.
“I’d like to have a giant top hat on stage, surrounded by bunny dancers,” Heloise Williams says when asked what kind of stage show she’d have if success gave her an unlimited budget.
Techno. TECH-NO. The word conjures up images of androgynous men rocking asymmetrical haircuts and/or ironic glasses, gaily dancing as they stroke their neatly trimmed beards.
Life, they say is all about moments.
Multi-tasker Mike Patton on creativity
Introducing Miss Julietta, Berlin’s premier burlesque doll.