Legendary Queensbridge rapper Nas always needs to prove he’s stillmatic.
Former 13th Floor Elevator went from psych rock to the psych ward. Now he’s ready for lift off again.
Faith No More have reformed, but it’s for his extensive solo work that this man deserves a Patton the back.
After 26 years of solid work the sludge rock survivors have finally smashed the Billboard Top 200. At number 200.
Unearthing the magical world of the comic book genius.
Glasvegas are shooting a seven with every shot
Tricky Comes Home
As hip hop cries out for a new female voice, Chicago MC Kid Sister is proving herself to be bang on the pro nail.
Danger Mouse scurries ever upwards.

Things didn’t look especially pretty for The Kills after their second album, No Wow, came out in 2005. The idea behind it – to write and record the whole damn thing in just three weeks – could have worked out great for them and their stripped-down, keep-it-simple aesthetic, but didn’t. Not really. The record was by no means a flop… it’s more that it had little of the crunch and sting of their debut, Keep On Your Mean Side.
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Backstage at Amsterdam’s Paradiso venue, Foals’ 21-year-old singer-guitarist Yannis Philippakis is chain-smoking cigarettes, swatting away the flies that infest the cramped dressing room, struggling with an untimely cold he’s picked up, wondering when his tour manager’s going to bring him the food he ordered, and telling me about Karpathos in Greece, where he lived until he was seven and where his dad (and brother) still live.
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Charles Thompson IV says here that “there is no tour or record – it’s all one big giant tour, and it’s all one big giant record”, but the longer he goes on, the easier it is to identify patterns in his life as a musician. There’s 1986 to 1993 when, as Black Francis, he fronted the greatest American alternative rock band of the age, the Pixies; the 10-year period after when he became Frank Black and released nine solo albums, songs from which were recently collected together on a compilation, 93-03; the Pixies reunion years of 2003 to early 2007; and a new era begins with his new album, Bluefinger. For that, he’s not only left behind the gently rolling Nashville sound of his last two albums (Honeycomb and Fast Man, Raider Man), he’s unexpectedly resurrected Black Francis.
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