There could hardly be a more apt sounding death knell for lo-fi indie garage than Nathan Williams’ infantile pop farts. Both the genre and Wavves itself have been due a backlash for some time now.
There could hardly be a more apt sounding death knell for lo-fi indie garage than Nathan Williams’ infantile pop farts. Both the genre and Wavves itself have been due a backlash for some time now.
In another universe, parallel to ours but not too distant, Mathangi ‘Maya’ Arulpragasam is the pivotal character in Pulp’s ‘Common People’.
Everyone seems to hear something different in the kind of piercing racket that only the pairing of a former hardcore guitarist and an ex-girl group singer could produce
The album rolls back the years and sates Devo-addicts’ cravings for more of the same. The lack of artistic progression is inevitable. After all, de-evolution is real…
There’s no reason why the soul or spirit of a recording studio should rub off on people who record there (…)
Lest you think your cherished scribe behind the times, I have just made a foray into the oft-derided world of youth culture. Alas, my principal observation is that this so called ‘culture’ is not derided oftly enough. In mitigation, its drugs are quite good.
AKPC_IDS += “1307,”;Popularity: unranked [?]
Slottsfjell and Øya. Two beatiful festivals. Both in Norway.
Primavera sees travelling Brits undaunted by tyrants and free
Telepathe get dark on London’s ass
Composed Berman delivers Manchester a dose of kosher folk
Xiu Xiu bring anarchic ugliness to London, terrorise audience, depart with a wink
Berlin head for the Big Exit as a coy PJ founders
Presumed weakest linx cooked up bewilderingly but strongly