There could hardly be a more apt sounding death knell for lo-fi indie garage than Nathan Williams’ infantile pop farts. Both the genre and Wavves itself have been due a backlash for some time now.
There could hardly be a more apt sounding death knell for lo-fi indie garage than Nathan Williams’ infantile pop farts. Both the genre and Wavves itself have been due a backlash for some time now.
In another universe, parallel to ours but not too distant, Mathangi ‘Maya’ Arulpragasam is the pivotal character in Pulp’s ‘Common People’.
Everyone seems to hear something different in the kind of piercing racket that only the pairing of a former hardcore guitarist and an ex-girl group singer could produce
The album rolls back the years and sates Devo-addicts’ cravings for more of the same. The lack of artistic progression is inevitable. After all, de-evolution is real…
There’s no reason why the soul or spirit of a recording studio should rub off on people who record there (…)

There are tonnes of albums the Pigeons are looking forward to in 2008 and right up there will be thdebut by Leeds-based quartet Wild Beasts. Their special power is frontman Hayden Thorpe’s warbling and precious voice, which he uses almost like it’s a brass instrument. It’s so unusual and powerful it sometimes distracts from how good a band he has behind him. This single, their debut on Domino after two corkers for Bad Sneakers, is confidant, clever and rammed full of joy. A brilliant song from a band who should be fastening their seatbelts for a big ’08.
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